#Hallogen sonic synth mac#
This can be helpful, especially if you have a Mac with no right-mouse button. You can also change the G-Env control in “Settings”, so instead of a right-mouse click to add a point to the envelope, you can set it to double-click or alt-click. Click “Hold OSCs”, and click Randomize again.
This is very useful if you find you like what is going on with the oscillator section, but then want to change others. There is a section in “Settings” however, where you can have it keep certain parts of the sound that you don’t want the randomize feature to change. Just like with any synth with a randomizing button, it might not always get a usable sound. Usually you would probably just leave this on the high setting, unless you’re having some CPU issues, and want to lower the setting to help it out a bit.ĪNA has a randomize feature that works pretty well. In the “Settings” section, you can change the amount of the filter sampling quality. Of course, it depends on the chord you are using. A bit of dissonance can sometimes be useful in a preset. That way, it’s not playing a different chord on top of the chord you setup, which can get a bit messy sounding. If you want to use a sound in your preset that uses a chord already built-in to it, (the “Noise” section has many of those) you can turn off the Chord Hold feature just for that particular oscillator if you’d like. It will then play back the chord if you hit a key on the keyboard. Then unclick “Learn”, and it will remember that chord you have entered, and save that setting with your preset. You could also just hit a chord all at once. You just click “Learn”, and then hit the keys you want one after the other. One more cool feature built in to ANA is the “Chord Hold”. This lets you pick certain notes to make up a chord, and save it to a preset. It works great, and helps to keep everything all organized. When you want to save a preset, you can make different banks and categories (leads, pads, FX, etc) within those banks. I really like this feature, and wish it was implemented in every synth I have. Like I mentioned before, the effects can be modulated from within ANA. These all work well, but I especially liked the improved reverb included in version 1.5.Ī nice addition is the option to just have the wet signal of the effect go through.
#Hallogen sonic synth mod#
The Mod Env also has the same target choices as the others.ĪNA ships with 6 different effects: phaser, chorus, distortion, compressor, delay, and reverb. In addition, you can assign the G-Env as the source, and give it yet another target. You can pick (for instance) the Mod Wheel as the source, and have it point to reverb amount as the target, or any other of the same targets that the G-Env and LFOs have access to. Mod1 and Mod2 can be assigned a source and a target. There are Monopolar and Bipolar versions of Sine, Triangle, Saw Up, Saw Down, Pulse, Random, and Sample and Hold. With the 2 LFOs, you can assign them the same way as the G-Env, but they each have 2 targets available, versus the one target of the G-Env. It’s great for getting even more control over the sound than you would using the ADSR envelopes alone. You just right-click on the envelope to create a new point and then drag that point where you want. The G-Env is an envelope you can edit and assign to the Osc attributes, LFOs, EQ, Filters, and even the FX.
#Hallogen sonic synth series#
For the filter called LP + Dist, there is a distortion built-in to it, and it uses the Res knob to control the amount that is added. The filters can be run in series or parallel.Įach envelope section has standard ADSR controls, and there are 3 selectable envelope curves for the Filter, Amp and Mod Envelopes. 3), including 2 and 4-pole (plus HP and BP versions), and 4 different Formant filter types, just to name a few. There are many other useful ones included: a few of them are strings, bass, bell, EP, and a pizzicato (plucked-string) sound.ĪNA 1.5 has 23 different filter types (Fig. Or add a guitar sound to the beginning section of your preset’s design. For instance, you can use the “Kick Click” to give a kick drum sound you’re designing a bit more punch. These are great for the “attack” part of the sound, where you might want to beef up the sound a bit. In the attack section, you can pick from a whole different set of 31 waveforms. There are choir sounds, bells, chords, and many more to choose from. This part of the synth has many useful sounds, not just the usual pink or white noise types, though they are included as well. There are 38 different waveforms for each of the 2 oscillators in the Noise section.
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